On
February 21st 2012, five members of the Russian punk-rock collective
Pussy Riot staged an
impromptu demonstration at the altar of the Cathedral of Christ the
Saviour in Moscow. Wearing brightly-coloured balaclavas, they bowed
to the ground and crossed themselves in front of the altar and began
to utter the words 'Mother of God, rid us of Putin'. They were
immediately dragged away by the church's security guards and placed
under arrest. Supporters filming
the action subsequently blended their footage of this incident with
that of an action performed at a different Moscow Cathedral, the
Epiphany Cathedral at Yelokhovo two days previously. On this
occasion, the group brought microphones and guitars into the building
and briefly mimed a rock performance at a time when the church was
not being used for a service. They were quickly expelled from the
building.
The
result of these actions was the now well-known video to the song Punk
Prayer: Mother of God, Rid Us of Putin
and also a prosecution of three members of the group for 'hooliganism
inspired by religious hatred'. The two-year sentences handed down to
Maria Alyokhina, Ekaterina Samutsevich and Nadezhda Tolokonnikova
generated an international wave of protest, with near simultaneous
demonstrations held worldwide on 17th August in immediate response to
the guilty verdicts.
Whilst few will
disagree that the sentences handed down are crassly disproportionate
to the 'crimes' committed, there probably remains some degree of
misunderstanding both in Russia and internationally regarding the
character of the stunt, the ideas which motivated it, and the degree
to which it represented an attack on religious faith. At their trial,
the actions of Pussy Riot were described as blasphemous, the
defendants were found guilty of inciting hatred of religion and the
lyrics of their prayer were described as obscene. Yet these
pronouncements represent a serious distortion of the ideas motivating
the performance if the words of the song and of the defendants are to
be believed. They have consistently maintained that their real target
was the state apparatus in Russia, and in particular the highly
politicised character of the Russian Orthodox Church, whose leaders
the band appear to accuse of betraying spiritual values in pursuit of
material wealth and power.
The
lyrics of the Punk Prayer
give no little substance to the claims of the defence: the song is
clearly satirical in purpose, and is littered with allusions to the
various evils of contemporary Russian life. Reference is made to the
repeated bans on the Gay Pride parades in Moscow from 2006-2012,
measures which were supported with enthusiasm by Christian, Muslim
and Jewish religious leaders alike. (Luzhkov, the former mayor of
Moscow once even described the parade as 'satanic'.) The mass arrests
which accompanied the 6-7 December demonstrations in Moscow against
fraudulent Duma elections, when the detained were conveyed to prison
in buses, are also mentioned. The introduction of compulsory
religious education into Russian schools in 2010 is alluded to, the
songwriters implying that priests brought into the schools to help
teach these courses will solicit bribes in return for good grades, a
problem already rife in the low-paying education sector.
The
unusual background of the head of Russian Orthodox Church, the
Patriarch of Moscow Kirill Gundiaev, receives mention in the song.
Gundiaev made his career in the church during the Soviet period and
is thus widely suspected of being an atheist ‒
this is often assumed to be the case with most of the senior Orthodox
clergy holding office at that time. Many also believe that, like
Putin, Gundiaev acted as an agent of the Soviet secret police, and
that he was tasked with controlling religiously motivated dissent
rather than running a genuine church. Thus the song presents us with
the intriguing spectacle of a group of feminist punk-rockers
lecturing an archbishop on the importance of believing in God, whilst
declaring that his 'chief saint' is a head of the KGB.
The
'head' in question is of course Putin. The church appears to have
rediscovered its political role in the post-Soviet era, one result
being Gundiaev's public expression of support for the current Russia
president, whose leadership he described as 'God's miracle', during
the 2012 presidential election campaign. This pronouncement was made
shortly before the release of Punk Prayer in
early February and may well have directly inspired the song. Prior to
this, the church had also secured the loan of a 'relic', the belt
('cincture') of the Virgin Mary, from a Greek monastery for a month
long tour of Russian cities in October-November 2011. This tour,
which brought masses of both the faithful and the curious into the
streets took place in the run up to the fraudulent legislative
elections of December 4, the spurious character of which soon
generated street gatherings of an entirely different nature. Putin
was visible at these 'adorations', which were perceived by critics as
a part of a pre-election strategy in which the church and religious
faith was to be used in an attempt to counteract growing discontent
with his regime.
In
response to this manipulation of faith for political ends, the
authors of the Punk Prayer
boldly and somewhat comically declare that mass meetings are superior
to 'the cincture of Mary', and that the 'Mother of God' herself has
defected to the side of those supporting demonstrations against the
fraudulent elections. It is of course possible that the Russian
Orthodox Church might regard this last statement as blasphemous, but
this would seem like a strange case of double standards, given that
it views Putin as a 'miracle of God'. Regardless of such theological
niceties, there is nothing in the song here that suggests an
unfocused hatred of religion. It is not easy to accuse somebody of
boorishly aggressive atheism when they urge an archbishop to
relinquish politics for God and when they declare that the most
important female figure in Christian theology supports the protest
movement with which they themselves are self-evidently identified.
Much
has been made in some reports of the allegedly 'obscene' language
used in the song: some have referred to it as 'obscenity-laced',
which is clearly an exaggeration. Whilst some may complain that the
refrain of song (variously translated as 'Holy Shit!' or 'Holy
Crap!') represents obscenity deliberately designed to provoke
worshippers, it must be emphasised that the performance as it appears
in the video is essentially a confection. No 'performance' of the
song (apart from the opening couplet) actually took place in any
church. Apart from that, the expression actually used (срань
госпондня/sran'
gospondnia)
is by no means among the most offensive available to a Russian
speaker, even though educated Russians as a whole take a much more
disapproving attitude to swearing than their Anglo-Saxon
counterparts. It is in fact of fairly recent coinage and appears to
be used primarily in Russian subtitles to American films. The only
other controversial word in the song appears to be суха/cukha,
usually
translated as 'bitch', its literal meaning. In Russian this is a
harsh insult, as it carries the connotation of betrayal (somewhat
akin to the English 'scab'). However, the word only appears once, and
even though it is directed towards an over-politicised archbishop, it
is by no means of the highest order of offensiveness.
Following
their convictions, a new song was released by the band, Putin
Lights the Fires of Revolution
in which the the vindictive sentences handed to the group and the
Russian president were this time the targets of ridicule. In it, the
band feign swooning admiration for the power of the penal system
before going on to compare Putin to a rather dysfunctional adolescent
boy. Once again the mass demonstrations against the regime are
mentioned, specifically the violent clash in Moscow on 6 May, the day
before Putin's inauguration as president, following the March 2012
elections. With remarkable defiance, they jeer at the notion of a
seven-year sentence ‒
the maximum allowed for their 'hooliganism' ‒
and instead demand eighteen years. The chorus rehearses the idea that
the Putin regime is doomed as every repressive action brings people
out onto the streets in protest.
Despite this
defiant stance, shortly after the verdicts were announced, several
members of Pussy Riot fled abroad after the police made it known that
they intended to make further arrests.
More
problematically still, a Ukrainian feminist group not connected to
the band responded to the conviction by cutting down a crucifix in
Kiev, an action which achieved a lot of media publicity owing to the
fact that one of the activists was topless. These actions appear to
have been imitated in Russia, causing one spokesman of the Russian
Orthodox Church to describe the Punk Prayer
as a declaration of war against the church comparable to the shots
fired from battleship Aurora
during the Bolshevik seizure of power in 1917. In an interview with
the newspaper Novaya Gazeta (7/9/12),
the three gaoled band members rejected this interpretation of their
actions and condemned the attacks on the crosses, Samutsevich stating
that if anything, their song was a call 'to attack the anti-civil
society policies of the authoritarian regime, of which Putin and his
friend Patriarch Kirill (Gundiaev) have become symbols.' They went on
to accuse church leaders of deliberately distorting the meaning of
their song to promote hatred of the band and they condemned attacks
on cultural objects connected to the Russian Orthodox Church.
At the time of
writing (13/9/2012), the Russian prime minister Medvedev has just
declared that it is time to release the gaoled members of the band,
an announcement greeted with scepticism in some quarters. This is
because Medvedev has something of a record of expressing liberal
sentiments in this fashion, a habit which in itself reflects the
pressure of a large section of Russian society, without actually
ensuring that his recommendations are put into practice. This said,
an appeal against the sentences will be heard on 1 October, which
gives an opportunity for the authorities to back down. At the same
time, the band's defence team have themselves been called in for
questioning by police regarding their activity on the 6 May
demonstration, and it cannot therefore be assumed that the appeal has
a good chance of succeeding. Current opinion polls suggest that the
majority of Russians regard the sentences as entirely
disproportionate, but there is absolutely no guarantee that this view
will be reflected in court.
There follows a
translation of Pussy Riot's two most recent 'hits'.
Punk Prayer: Mother of God Rid Us of
Putin
Virgin Mother of God
Rid us of Putin!
Black robe, golden epaulettes reflect
As all the faithful creep forward and
genuflect.
The ghost of freedom in the heavens
reigns
Gay pride is sent to Siberia in chains.
A head of the KGB, their chief saint to
mention
Busses protesters to pre-trial
detention
So as to respect the Holy ones' worth
Women have to love and give birth.
Crap! Crap! Crap! Holy Crap!
Virgin Mother of God
Be a feminist!
The church sings praises to rotten
leaders
A sacred procession of black limousines
In school you
prepare to meet the preacher
Go to class - and bring him some money!
Patriarch Gundiaev believes in Putin
Bitch, you'd be better believing in God
The cincture of Mary can't beat
mass-meetings
The Eternal Virgin is with us on
protests!
Virgin Mother of God,
Rid us of Putin.
* * * *
Putin Lights the Fires of Revolution
In prison, the state is stronger than timei
More arrests mean greater happiness
And every arrest comes with love for a sexist
Whose cheeks wobble like his tits and his belly.
But you can't seal us up in a box
Overthow the Chekistsii
better and more often!
Putin kindles the fires of revolution
He is bored and alarmed by people in silence
The only thing he executes is his rotten acne
His every prison sentence brings nocturnal pollutions
The country is going, the country is going
Into the streets with insolence
The country is going, the country is going
To say goodbye to the regime
The country is going, the country is going
With a feminist spearhead
And Putin is going, Putin is going
To say goodbye to the catiii
Arrest the whole town for the May 6 demo
Seven yearsiv
isn't much to us - give us eighteen!
Ban shouting, slander and walking
Marry yourself off to Papa
Lukashenko!v
The
Russian Section of the Committee For A Workers International Demands:
- the immediate release of Pussy Riot
- public control over the justice system
- the separation of the Church from the state
- the socialization of the holdings of the Russian Orthodox Church plc.
iThis
is a play on the popular Russia saying: 'Love is stronger than
time', expressing the hope that a couple, though they grow older and
less attractive will continue to love one another.
iii.e.
a member of the secret police. Though the original 'Cheka' (the
'Extraordinary Commission') was set up during the Russian civil war
to deal with counter-revolutionaries in the Red zones but was
dissolved at the end of hostilities. However, the term has been
retained somewhat in conversational Russian to refer to anybody
working for the state security agencies such as the KGB or the
post-Soviet FSB.
iiiThis
line appears to play on the idea Putin as an isolated leader who is
about to resign; apart from the cat, he has no-one else to say
goodbye to.
ivThe
maximum sentence allowed for the 'crimes' with which Pussy Riot were
charged.
vi.e.
Alexander Lukashenko, the authoritarian president of Belarus. Putin
is widely regarded as more sympathetic to Belarus than Medvedev and
appears keen to establish a regional trading bloc made up of former
Soviet states to rival the European Union.
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